Making film in Egypt : how labor, technology, and mediation shape the industry / Chihab El Khachab.

By: El Khachab, Chihab, 1991- [author.]Material type: TextTextPublisher: Cairo ; New York : The American University in Cairo Press, 2021Copyright date: © 2021 by Chihab El KhachabEdition: First EditionDescription: xviii, 284 pages : illustrations ; 24 cmContent type: text Media type: unmediated Carrier type: volumeISBN: 9789774169854Subject(s): Motion pictures | Motion picture industry | Work in motion pictures | EgyptDDC classification: 791 Summary: The enormous influence of the Egyptian film industry on popular culture and collective imagination across the Arab world is widely acknowledged, but little is known about its concrete workings behind the scenes. 'Making Film in Egypt' provides a fascinating glimpse into the lived reality of commercial film production in today?s Cairo, with an emphasis on labor hierarchies, production practices, and the recent transition to digital technologies. Drawing on in-depth interviews and participant observation among production workers, on-set technicians, and artistic crew members, Chihab El Khachab sets out to answer a simple question: how do filmmakers deal with the unpredictable future of their films? The answer unfolds through a journey across the industry's political economy, its labor processes, its technological infrastructure, its logistical and artistic work, and its imagined audiences. The result is a complex and nuanced portrait of the Arab world's largest film industry, rich in ethnographic detail and theoretical innovations in media anthropology, media studies, and Middle East anthropology.
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Includes bibliographical references, notes, and index.

The enormous influence of the Egyptian film industry on popular culture and collective imagination across the Arab world is widely acknowledged, but little is known about its concrete workings behind the scenes. 'Making Film in Egypt' provides a fascinating glimpse into the lived reality of commercial film production in today?s Cairo, with an emphasis on labor hierarchies, production practices, and the recent transition to digital technologies. Drawing on in-depth interviews and participant observation among production workers, on-set technicians, and artistic crew members, Chihab El Khachab sets out to answer a simple question: how do filmmakers deal with the unpredictable future of their films? The answer unfolds through a journey across the industry's political economy, its labor processes, its technological infrastructure, its logistical and artistic work, and its imagined audiences. The result is a complex and nuanced portrait of the Arab world's largest film industry, rich in ethnographic detail and theoretical innovations in media anthropology, media studies, and Middle East anthropology.

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