000 | 02981cam a2200361 i 4500 | ||
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001 | 18547354 | ||
003 | OSt | ||
005 | 20221113134500.0 | ||
008 | 150330t20152015caua b 001 0 eng d | ||
010 | _a 2015937418 | ||
020 |
_a9780857028785 _qpaperback |
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040 |
_aDLC _beng _erda _cDLC _dUOC |
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042 | _apcc | ||
082 | 0 | 0 |
_a338.477 _223 _bJOH |
100 | 1 |
_aHartley, John, _d1948- _eauthor. _9876 |
|
245 | 1 | 0 |
_aCreative economy and culture : _bchallenges, changes and futures for the creative industries / _cJohn Hartley, Wen Wen, Henry Siling Li. |
250 | _aFirst Edition. | ||
264 | 1 |
_aLos Angeles : _bSage, _c2015. |
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264 | 4 | _c© John Hartley, Wen Wen and Henry Siling Li 2015. | |
300 |
_ax, 250 pages : _billustrations ; _c24 cm. |
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336 |
_atext _btxt _2rdacontent |
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337 |
_aunmediated _bn _2rdamedia |
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338 |
_avolume _bnc _2rdacarrier |
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504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _aMachine generated contents note: pt. I THE CHALLENGE -- Theory -- 1.Economy + Culture + Technology = Newness -- 2.The Big Picture -- Spheres Enveloping Spheres -- 3.The Three Bigs -- 'Everyone" Everything' `Everywhere' -- History -- 4.The Creative Industries' Moment' -- 5.Back to First Principles -- 6.Creative Industries to Creative Economy -- pt. II FORCES AND DYNAMICS OF CHANGE: THE THREE BIGS IN ACTION -- Everyone -- 7.Technology -- Everything -- 8.Economy (1) Makers -- 9.Economy (2) Scenes -- Everywhere -- 10.Geography (1) -- Brics -- 11.Geography (2) -- Mint, etc. -- pt. III FUTURE-FORMING (WITH THREE BUTS) -- Scepticism -- 12.`Ceci Tuera Cela -- 13.The Three Buts -- Optimism -- 14.Future -- forming. | |
520 | _aCreative Industries studies is now well-established in higher education in many countries, especially in universities and colleges where there is a component of creative-practice education as well as cultural and aesthetic theory or business and economic analysis. The Creative Industries field is an interdisciplinary amalgam that draws from the humanities, the creative arts, technology studies, and the social sciences. Cultural, economic, political, artistic, scientific and technological discourses all contribute to the Creative Industries, and all deploy their own specialist language. This book shows how a coherent field is slowly resolving itself into focus through this diverse, distributed, multi-discursive and undirected collective enterprise. It charts a pathway through the terrain, showing how students, researchers, entrepreneurs, practitioners and policymakers can make use of recent advances in the systematic study of the creative process on a population-wide scale. | ||
650 | 0 |
_aCultural industries. _9879 |
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700 | 1 |
_aWen, Wen _c(Lecturer in cultural industries) _eauthor. _9878 |
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700 | 1 |
_aLi, Henry Siling _eauthor. _9877 |
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906 |
_a7 _bcbc _corigres _d2 _encip _f20 _gy-gencatlg |
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942 |
_2ddc _cBK |
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999 |
_c273 _d273 |