| 000 -LEADER |
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| fixed length control field |
04191cam a2200433 i 4500 |
| 001 - CONTROL NUMBER |
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| control field |
19125196 |
| 003 - CONTROL NUMBER IDENTIFIER |
|---|
| control field |
OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20230112155804.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
160607t20162016enkag b 001 0 eng d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
|---|
| LC control number |
2016026629 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9781107476493 |
| Qualifying information |
paperback |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| Canceled/invalid ISBN |
9781107094512 |
| Qualifying information |
hardback |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
DLC |
| Language of cataloging |
eng |
| Transcribing agency |
DLC |
| Description conventions |
rda |
| Modifying agency |
DLC |
| -- |
UOC |
| 042 ## - AUTHENTICATION CODE |
|---|
| Authentication code |
pcc |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
781.542 |
| Edition number |
23 |
| Item number |
MER |
| 245 04 - TITLE STATEMENT |
|---|
| Title |
The Cambridge companion to film music / |
| Statement of responsibility, etc. |
edited by Mervyn Cooke and Fiona Ford. |
| 246 14 - VARYING FORM OF TITLE |
|---|
| Title proper/short title |
Film music |
| 250 ## - EDITION STATEMENT |
|---|
| Edition statement |
First Edition. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
Cambridge, United Kingdom : |
| Name of producer, publisher, distributor, manufacturer |
Cambridge University Press, |
| Date of production, publication, distribution, manufacture, or copyright notice |
2016. |
| 264 #4 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Date of production, publication, distribution, manufacture, or copyright notice |
© Cambridge University Press 2016. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xxi, 411 pages : |
| Other physical details |
illustrations, music ; |
| Dimensions |
25 cm. |
| 336 ## - CONTENT TYPE |
|---|
| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
|---|
| Media type term |
unmediated |
| Media type code |
n |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
|---|
| Carrier type term |
volume |
| Carrier type code |
nc |
| Source |
rdacarrier |
| 490 1# - SERIES STATEMENT |
|---|
| Series statement |
Cambridge companions to music |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc. note |
Includes bibliographical references (pages 356-394) and index. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Part one : |
| Title |
Making film music. |
| -- |
Evolving practices for film music and sound, 1925-1935 / |
| Statement of responsibility |
James Buhler and Hannah Lewis -- |
| Title |
"Pictures that talk and sing" : sound history and technology / |
| Statement of responsibility |
David Cooper -- |
| Title |
The composer and the studio : Korngold and Warner Bros. / |
| Statement of responsibility |
Ben Winters -- |
| Title |
Can't buy me love? : economic imperatives and artistic achievements in the British pop-music film / |
| Statement of responsibility |
Stephen Glynn -- |
| Title |
"A film's first audience" : the composer's role in film and television / |
| Statement of responsibility |
George Fenton in conversation with Mervyn Cooke. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Part two : |
| Title |
Approaching film music. |
| -- |
Film-music theory / |
| Statement of responsibility |
Guido Heldt -- |
| Title |
Studying film scores : working in archives and with living composers / |
| Statement of responsibility |
Kate Daubney -- |
| Title |
Returning to Casablanca / |
| Statement of responsibility |
Peter Franklin -- |
| Title |
Parental guidance advised? : mash-ups and mating penguins in Happy feet / |
| Statement of responsibility |
Fiona Ford -- |
| Title |
Materializing film music / |
| Statement of responsibility |
Miguel Mera. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Part three : |
| Title |
Genre and idiom. |
| -- |
Film noir and music / |
| Statement of responsibility |
David Butler -- |
| Title |
Another other history of jazz in the movies / |
| Statement of responsibility |
Krin Gabbard -- |
| Title |
Horror and science fiction / |
| Statement of responsibility |
Stan Link -- |
| Title |
The Western / |
| Statement of responsibility |
Robynn J. Stilwell -- |
| Title |
The music of screen musicals / |
| Statement of responsibility |
Caryl Flinn -- |
| Title |
"Britannia-The musical" : scores, songs and soundtracks in British animation / |
| Statement of responsibility |
Paul Wells. |
| 505 0# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Part four : |
| Title |
Music in world cinemas. |
| -- |
Leone, Morricone and the Italian way to Revisionist Westerns / |
| Statement of responsibility |
Sergio Miceli -- |
| Title |
Music, noise and silence in the late cinema of Jean-Luc Godard / $r Danae Stefanou -- |
| -- |
Hans Werner Henze and The lost honour of Katharina Blum / |
| Statement of responsibility |
Annette Davison -- $t Tåoru Takemitsu's collaborations with Masahiro Shinoda : the music for Pale flower, Samurai spy and Ballad of Orin / |
| -- |
Timothy Koozin -- |
| Title |
Welcome to Kollywood : Tamil film music and popular culture in South India / |
| Statement of responsibility |
Mekala Padmanabhan. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
his wide-ranging and thought-provoking collection of specially-commissioned essays provides a uniquely comprehensive overview of the many and various ways in which music functions in film soundtracks. Citing examples from a variety of historical periods, genres and film industries - including those of the USA, UK, France, Italy, India and Japan - the book's contributors are all leading scholars and practitioners in the field. They engage, sometimes provocatively, with numerous stimulating aspects of the history, theory and practice of film music in a series of lively discussions which will appeal as much to newcomers to this fascinating subject as to seasoned film music aficionados. Innovative research and fresh interpretative perspectives are offered alongside practice-based accounts of the film composer's distinctive art, with examples cited from genres as contrasting as animation, the screen musical, film noir, Hollywood melodrama, the pop music and jazz film, documentary, period drama, horror, science fiction and the Western. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Motion picture music |
| General subdivision |
History and criticism. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Cooke, Mervyn |
| 9 (RLIN) |
4033 |
| Relator term |
editor. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Ford, Fiona |
| 9 (RLIN) |
4034 |
| Relator term |
editor. |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE |
|---|
| Uniform title |
Cambridge companions to music. |
| 9 (RLIN) |
4035 |
| 906 ## - LOCAL DATA ELEMENT F, LDF (RLIN) |
|---|
| a |
7 |
| b |
cbc |
| c |
orignew |
| d |
1 |
| e |
ecip |
| f |
20 |
| g |
y-gencatlg |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
|
| Koha item type |
Textbook |
