Reductionism in art and brain science : Bridging the two cultures / Eric R. Kandel.

By: Kandel, Eric R [author.]Material type: TextTextPublisher: New York : Columbia University Press, 2018Copyright date: © 2016 Eric R. KandelDescription: x, 226 pages : illustrations (some color) ; 23 cmContent type: text Media type: unmediated Carrier type: volumeISBN: 9780231179638Other title: First paperback EditionSubject(s): Reductionism | Art -- Psychology | Visual perception | Neurosciences and the artsDDC classification: 700.19
Contents:
Introduction. The emergence of a reductionist school of abstract art in New York -- The Beginning of a Scientific Approach to Art -- The Biology of the Beholder's Share: Visual Perception and Bottom-Up Processing in Art -- The Biology of Learning and Memory: Top-Down Processing in Art -- A Reductionist Approach to Art. Reductionism in the Emergence of Abstract Art -- Mondrian and the Radical Reduction of the Figurative Image -- The New York School of Painters -- How the Brain Processes and Perceives Abstract Images -- From Figuration to Color Abstraction -- Color and the Brain -- A Focus on Light -- A Reductionist Influence on Figuration -- The Emerging Dialogue Between Abstract Art and Science. Why Is Reductionism Successful in Art? -- A Return to the Two Cultures.
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Item type Current location Call number Materials specified Status Date due Barcode Item holds
NB-Book NB-Book Uofcanada Library
700.19 ERI/ NB (Browse shelf) Not for loan 00002210
Book Book Uofcanada Library
700.19 ERI (Browse shelf) Available 00002211
Book Book Uofcanada Library
700.19 ERI (Browse shelf) Available 00002212
Total holds: 0

Includes bibliographical references and index.

Introduction. The emergence of a reductionist school of abstract art in New York -- The Beginning of a Scientific Approach to Art -- The Biology of the Beholder's Share: Visual Perception and Bottom-Up Processing in Art -- The Biology of Learning and Memory: Top-Down Processing in Art -- A Reductionist Approach to Art. Reductionism in the Emergence of Abstract Art -- Mondrian and the Radical Reduction of the Figurative Image -- The New York School of Painters -- How the Brain Processes and Perceives Abstract Images -- From Figuration to Color Abstraction -- Color and the Brain -- A Focus on Light -- A Reductionist Influence on Figuration -- The Emerging Dialogue Between Abstract Art and Science. Why Is Reductionism Successful in Art? -- A Return to the Two Cultures.

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